СУВАРНА ПРАБХАСА СУТРА І ЇЇ СЮЖЕТИ В ЖИВОПИСІ (ТАНКА З МУЗЕЮ МИСТЕЦТВ ІМ. БОГДАНА І ВАРВАРИ ХАНЕНКІВ, 531 ЖВ)

О. Ohnieva

doi:10.15407/orientw2015.04.119

SUVARNA PRABHASA SUTRA AND ITS SUBJECTS IN PAINTING (THE THANGKA OF THE BOGDAN AND VARVARA KHANENKO MUSEUM OF ARTS)

PDF (Українська)

https://doi.org/10.15407/orientw2015.04.119

О. Ohnieva

A. Yu. Krymskyi Institute of Oriental Studies, NAS of Ukraine

Abstract

A possibility of creation Suvarna Prabhasa sutra content in easel painting is analyzed in the article. The choice of this Sutra was determined by its significance in the history of Mahayana Buddhism, its influence on the processes of state formation in the lands that had been embraced by Buddhism, and, accordingly, on the development of sacral fine art as a result of the temples construction. The thangka of the Bogdan and Varvara Khanenko Museum of Arts (Kyiv, 531 ЖВ) has served as visual material. A comparison of the text and content of the thanka revealed that most likely the thanka is based on several chapters of the Sutra. The presence image of twelve monks, whose names mentioned in Chapter 1 (Introduction) on the thanka indicates on version in 29 chapters. The contents of the thanka recreates Suvarna Prabhasa Sutra episode, when the king with censer lights an incenses, paying homage to the Buddha Sakyamuni and Sutra. About the fact that the thanka is based on a literary source indicates some component. Among them there is the reduction in foreshortening of the minor characters images, iconographic deviations from canon, unlike the main character – Sakyamuni Buddha, which is represented frontally, on a larger scale and in accordance with the canon.

How to Cite

OhnievaО. (2015). SUVARNA PRABHASA SUTRA AND ITS SUBJECTS IN PAINTING (THE THANGKA OF THE BOGDAN AND VARVARA KHANENKO MUSEUM OF ARTS). The World of the Orient, (4 (89), 119-131. https://doi.org/10.15407/orientw2015.04.119

Article views: 208 | PDF Downloads: 42

Keywords

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